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Laika’s Wildwood: Two Decades of Stop‑Motion Craftsmanship Revealed

WHY IT MATTERS

Wildwood’s debut underscores the labor‑intensive nature of stop‑motion, setting a new benchmark for future animated features and reaffirming Laika’s leadership in the medium.

What happened

Laika’s latest feature, Wildwood, has finally hit theaters after a 20‑year development cycle that began in the early 2000s. The film’s cinematography was handled by veteran filmmaker Caleb Deschanel, who has worked on high‑profile projects such as The Passion of the Christ, Titanic, and Twin Peaks. Deschanel, who had never worked on a stop‑motion project before, was struck by the sheer scale of the production. He noted that what initially seemed like a straightforward process quickly unfolded into a complex, multi‑layered endeavor involving hundreds of miniature sets, dozens of animators, and an extensive lighting schedule. Wildwood’s release showcases the meticulous craftsmanship that defines Laika’s work and highlights the long lead times required for high‑quality stop‑motion animation.

PRIMARY SOURCES

Laika has spent 20 years building up to Wildwood

The Verge · Andrew Webster · Discovery only; Vox Media copyright terms apply

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